Content in English
Who We Are
Created by state law on April 13, 1951 and officially founded on August 11, 1954, the Dramatic and Musical Conservatory “Dr. Carlos de Campos” de Tatuí – or just Conservatório de Tatuí, as it is known internationally – represents one of the most serious and successful actions in the cultural sector in the State of São Paulo.
ㅤ
With 70 years of training and cultural dissemination, one of the most respected music schools in Latin America fulfills the mission of training instrumentalists, singers, actors/actresses and luthiers of international prestige. Its more than 70 different regular courses, all free, have an average duration of seven years and its students always stand out in national and international competitions. Some of today’s leading musicians were trained at the Tatuí Conservatory.
ㅤ
The institution is located 130km from the capital of São Paulo and receives students from all over Brazil and also from several countries abroad. Many foreigners seek out the Tautí Conservatory to improve their skills in Brazilian music.
ㅤ
In addition to maintaining complete infrastructure – classrooms, auditoriums, theater, musical instruments, collection of costumes and accommodation – the Tatuí Conservatory maintains an up-to-date and excellent teaching program. Another opportunity offered to students at the institution are scholarships. Currently, there are three types of scholarships – aid, craft and performance – which pay and offer students better conditions to dedicate themselves exclusively to studying, in addition to the opportunity to work alongside professional musicians and artists.
The Tatuí Conservatory also has Pedagogical Groups and Artistic Groups. There are around 50 ensembles, with the most varied formations – orchestras, bands, big bands, cameratas, theater groups, etc. – through which students are assured of a broad cultural experience, stage experience and contact with professional instrumentalists.
ㅤ
In addition to excellent teaching, the Tatuí Conservatory maintains an artistic calendar with different activities, which receives spectators from all over the interior of São Paulo. There are shows, meetings, festivals, master classes, workshops, concerts, theater shows, intensive courses, lectures and recitals. Regularly, internal production is taken outside the walls, with performances by musical and theatrical groups in different parts of the State of São Paulo.
ㅤ
Due to its importance on the international music scene, the Tatuí Conservatory contributed in an essential way to the municipality, its headquarters city, earning the title of “Capital of Music”. The title was granted to the municipality through state law 12,544, of January 30, 2007, which makes Tatuí official as the “Music Capital of the State of São Paulo”.
Management
The Dramatic and Musical Conservatory “Dr. Carlos de Campos” de Tatuí is an institution of the Secretariat of Culture, Industry and Creative Economy of the Government of the State of São Paulo, managed by Sustenidos Organização Social de Cultura.
General information
Cultural Training and Cultural Dissemination Equipment
Opening Hours
– Administrative Sectors: Monday to Friday, from 8am to 12pm and from 1pm to 5pm
– Classes: Monday to Friday, from 8am to 12pm, from 1pm to 5pm, from 6pm to 10pm
Tickets: Events held by teachers, students and groups at the institution have free entry. Contracted events, assignments and rentals may have an entrance fee, with variable prices.
Virtual box office: https://conservatorio-de-tatui.byinti.com
Thirst: Rua São Bento, 415, Centro, Tatuí-SP
Telephone: (15) 3205-8444 (PABX)
Units and Sectors: https://www.conservatoriodetatui.org.br/quem-somos/unidades-e-setores/
Contact us: https://www.conservatoriodetatui.org.br/contato/fale-conosco/
How to arrive: https://www.conservatoriodetatui.org.br/contato/como-chegar/
History
The selection of Tatuí to host the first music school maintained by the Government of the State of São Paulo in the 1950s was not by chance. The city, located 131 km from the capital, had a strong musical tradition, particularly represented by music bands, which were a prominent presence throughout the state’s interior.
ㅤ
In the early decades of the 20th century, Tatuí experienced a surge in economic development linked to textile manufacturing. The city received new residents from various parts of the state, and the entire social life, including musical activities, was enhanced.
ㅤ
From that era, notable musical personalities emerged, such as the violinist Otávio “Bimbo” de Azevedo and the cellist João Del Fiol, who was his student. Together, they played in silent film orchestras and were part of one of the most appreciated jazz bands in the region in the 1920s. Del Fiol also performed in churches, taught violin, tuned pianos, and worked as a storekeeper at the “Salles Gomes” state technical school. A well-remembered figure in the city, he played a fundamental role in the founding of the Conservatory.
ㅤ
It is said that in 1950, Deputy Narciso Pieroni was impressed by a performance of João Del Fiol’s ensemble, and Del Fiol made the politician promise to establish the first public music school in Tatuí. That same night, a group of intellectuals drafted the project outline at the bar of the Hotel Del Fiol. The idea was for it to follow the model of the Conservatório Dramático e Musical de São Paulo and the National School of Music in Rio de Janeiro.
ㅤ
The creation of the school was proposed in the Legislative Assembly in December 1950 and was sanctioned by then-Governor Lucas Nogueira Garcez (1951-1955) in April 1951.
ㅤ
The first temporary address of the Conservatory of Tatuí was a residence located at the corner of Humaitá Street and José Bonifácio Street. The first registrations in April 1954 attracted 331 candidates in just five days. All were residents of Tatuí, which then had 30,000 inhabitants. Of those registered, 30 began courses, which included singing, piano, violin, cello, flute, clarinet, and similar instruments (i.e., other wind instruments) and guitar, as well as theoretical subjects such as harmony, counterpoint and fugue, music history, music pedagogy, harmonic analysis and composition, folklore, and dramatic art.
ㅤ
The first director of the school was Eulico Mascarenhas de Queiroz, who worked as a music editor at the São Paulo Municipal Theater. Among the musicians he brought to teach at the Conservatory was the flutist Spartacco Rossi, a composer and arranger who played a significant role in the early years of the institution, forming the first orchestra and promoting performances throughout the city. Under his baton, the newly created Amateur Symphony Orchestra performed the operas “Juca Pirama” (by Father Antonio Massana) and “O Guarani” by Carlos Gomes. Rossi continued his intense involvement with the institution until his retirement in 1970.
ㅤ
After Eulico Queiroz left in 1959, the school was successively directed by Altino Santarém, Yollanda Rigonelli, and Djalma de Carvalho Moreira.
In 1968, there were 250 students enrolled at the Conservatory of Tatuí, a number already excessive for the original facilities. In the same year, José Coelho de Almeida, a flute professor and conductor, took over the direction of the Conservatory. On April 24, 1969, the building where the City Council and Municipal Library were located was ceded to the Conservatory at its current address—415 São Bento Street. With the new building, the institution doubled its number of students, reaching 600.
ㅤ
The title of “largest music school in Latin America” emerged in 1976 when the Conservatory of Tatuí received a significant contribution from businessman José Mindlin. The businessman donated a large number of instruments to the school, earning it the title of “largest in Latin America” at that time. Another important donation occurred in 1981 when businessman Wanderley Bocchi provided an extensive plot of land where the school’s accommodations are now built.
ㅤ
When José Coelho de Almeida left the position, Hans Joachin Koellreutter, already renowned throughout Brazil as a teacher and musical personality, took over the direction. At the beginning of 1984, Koellreutter was succeeded by conductor Antonio Carlos Neves Campos, who remained at the helm of the institution until 2008.
ㅤ
In 2006, the administration of the Conservatory of Tatuí ceased to be directly subordinate to the State and began to be managed by a Cultural Social Organization (OS). The Associação de Amigos do Conservatório de Tatuí (AACT) originated from the school’s Parents and Teachers Association (APM), created in 1981. In the year the State Department of Culture decided to change the school’s management model, it opted to accredit the APM as an OS. It modified its statute and created a council, transforming into the AACT.
ㅤ
The year 2006 also marked the inauguration of a branch of the Conservatory of Tatuí in São José do Rio Pardo, a city located to the north of the state with about 50,000 inhabitants.
In 2008, the Board of Directors of the Social Organization approved the name of Henrique Autran Dourado to become the new executive director, leading a new management team of the Associação de Amigos do Conservatório de Tatuí. The hiring of professionals began to be done under the CLT regime, there was a restructuring of the scholarship system, the formation of new pedagogical and pedagogical-artistic groups, and the reorganization of physical spaces for each area and/or course.
ㅤ
In 2012, the Government of São Paulo granted the Conservatory of Tatuí a new building, located at 808 São Bento Street, where the old municipal forum was located. In 2014, to celebrate the 60th anniversary of the Conservatory of Tatuí, the institution organized a wide series of concerts, shows, performances, competitions, and operas. It also implemented the Programa de Bandas Coreto Paulista, meetings, and International Festivals for all areas of the school’s activities. On January 18, 2018, the administration was transferred to Abaçaí Cultura e Arte, with Ary Araújo Júnior as the executive director.
ㅤ
Currently, the Conservatory of Tatuí is managed by Sustenidos Organização de Cultura. The board is composed of Alessandra Costa (Executive Director), Rafael Salim Balassiano (Administrative Financial Director), and Claudia Freixedas (Educational Superintendent). General Manager of the Conservatory of Tatuí: Gildemar Oliveira.
Governance
GOVERNMENT OF THE STATE OF SÃO PAULO SECRETARIAT OF CULTURE, ECONOMY, AND CREATIVE INDUSTRIES
- TARCÍSIO DE FREITAS | Governor of the State
- FELÍCIO RAMUTH | Vice-Governor
- MARILIA MARTON | State Secretary
- MARCELO HENRIQUE DE ASSIS | Executive Secretary
- DANIEL SCHEIBLICH RODRIGUES | Chief of Staff
- BRUNA ATTINA | Coordinator of the Cultural Training Unit
- ADRIANE FREITAG DAVID | Coordinator of the Dissemination, Libraries, and Reading Unit
- GISELA COLAÇO GERALDI | Coordinator of the Management Contracts Monitoring Unit
- KARINA SANTIAGO | Coordinator of the Museological Heritage Preservation Unit
- MARIANA DE SOUZA ROLIM | Coordinator of the Historical Heritage Preservation Unit
- LIANA CROCCO | Coordinator of the Creative Economy and Promotion Unit
Updated on: 04/25/2024
SUSTENIDOS SOCIAL CULTURE ORGANIZATION
ㅤThe Board of Directors of Sustenidos is composed of individuals elected by the General Assembly and prominent figures from various sectors of society, known for their professional expertise.
Members of the Association’s Councils include:
ㅤ
ADMINISTRATIVE COUNCIL
- André Isnard Leonardi – President
- Claudia Ciarrocchi
- Gabriel Fontes Paiva
- Gildemar Oliveira
- José Alexandre Pereira de Araújo
- Magda Pucci
- Monica Rosenberg
- Odilon Wagner
- Renata Bittencourt
- Wellington do C. M. de Araújo
ADVISORY COUNCIL
- Elca Rubinstein – President
- Abigail Silvestre Torres
- Adriana do Nascimento Araújo Mendes
- Ana Maria Wilheim
- Celia Cristina Monteiro de Barros Whitaker
- Daniel Annenberg
- Gabriel Whitaker
- Leonardo Matrone
- Luciana Temer
- Luiz Guilherme Brom
- Marcos Barreto
- Marisa Fortunato
- Melanie Farkas – (In Memoriam)
- Paula Raccanello Storto
FISCAL COUNCIL
- Bruno Scarino de Moura Accioly
- Daniel Leicand
- Paula Cerquera Bonanno
Updated on: 07/02/2024
ㅤ
DIRECTORATE
The management of Sustenidos is composed of the following directorates and superintendencies, which ensure the organization’s operation and the fulfillment of its mission.
- Alessandra Costa
Executive Director - Rafael Salim Balassiano
Administrative and Financial Director
SUPERINTENDENCY
- Claudia Freixedas
Artistic-Pedagogical Superintendent
SUSTENIDOS TEAM SHARED WITH TATUÍ CONSERVATORY
Legal Manager:
Adline Debus Pozzebon
Human Resources Manager:
Ana Cristina Cesar Leite
Financial Manager:
Ana Cristina Meira Coelho Mascarenhas
Event Production Manager:
Camila Silva
Communication and Marketing Manager:
Laura Braga
Controllership Manager:
Leandro Mariano Barreto
Logistics Manager:
Rafael Masaro Antunes
Supplies Manager:
Susana Cordeiro Emidio Pereira
Accountant:
Cláudia dos Anjos Silva
Planning Analyst / Observatory:
José Renato Gonçalves
Information Management Advisor:
Tony Shigueki Nakatani
Artistic Assistant:
Alexandre Picholari
Graphic Designer:
Kelly Sato
Fundraising:
Tais da Silva Costa
Technology and Systems Supervisor:
Yudji Alessander Otta
ㅤ
LOCAL TEAM
ㅤ
General Management
Gildemar de Jesus Oliveira – General Manager
ㅤ
Artistic-Pedagogical Managements
Artistic-Pedagogical Manager of Performing Arts
Antonio Salvador
ㅤ
Artistic Music Manager
Renato Bandel
ㅤ
Pedagogical Music Manager
Valéria Zeidan Rodrigues
ㅤ
Pedagogical Coordination of Areas and Departments
Popular Music Area (MPB/Jazz, Choro, and Traditional Music Courses):
João Geraldo Alves (Jotagê Alves)
Wind/Woodwind Courses, Symphonic Percussion, and Conducting Introduction:
Rafael Pelaes
Brass/Wind Courses and São José do Rio Pardo Branch:
Juliano Marques Barreto
Theoretical Subjects in Classical and Popular Music:
Tania Tonus
Classical Guitar, Classical Accordion, Lyric Singing, and Music Education Area:
Rosana Massuela
Bowed Strings, Luthiery, and Historical Performance Courses:
Carlo Arruda
Classical Piano, Harp, and Collaborative Piano Courses:
Fanny de Souza Lima
Performing Arts Area:
Fernanda Fernandes
Chamber Music and Ensemble Practice (Pedagogical Groups):
Tulio Pires
ㅤ
Educational
Vitoria Cardoso dos Santos E Silva
Luca D’Alessandro Ribeiro
Lucas Pereira de Almeida
Diego Alves de Figueiredo
ㅤ
Administrative
Durvalino Longanezzi
Flavia Cristina Vieira Antonio
Giovanna Giullia Lopes Silva
Thais Nespoli Da Silva
ㅤ
Music Archive
Eline Ramos
Sergio David Cuba Corrales
ㅤ
Purchases and Services
Daniele Jacó Goncalves Candido
Francisco Alves dos Santos Junior
Patricia Alves de Castro Martins
ㅤ
Communication
Sabrina Lopes de Magalhães – Manager
Arthur Vila Nova Grando
Julia Heloisa Silva
Lenita Apolonio Lerri
ㅤ
Teaching Staff
Abner Antunes Aragao
Adriana Afonso Oliveira
Adriana Scaglioni Lima
Adriano Felicio da Costa
Adriano Paes de Camargo
Agnaldo Francisco da Silva
Alberto de Almeida Bento Dias
Alberto Eduardo Honorio Correa
Alberto Menon Sodre
Alexandre Bauab Junior
Altino Correa de Toledo Neto
Ana Carolina Malta Avilla
Ana Ingrid Lisboa de Almeida
Dagma Cibele Eid
Dalila Ribeiro Santos Guimaraes
Darli Margarete Ventura Paulillo
Dauri da Silva
David Muneratto
Dayane Cristyne Villena Rodrigues
Debora Ribeiro
Deborah Melissa dos Santos Kerber
Diego Barbosa Garbin
Diego Salvetti
Donizete Faconi
Edevandro Bernabe
Edmilson Baia de Oliveira
Edmo Perandin Guimaraes
Edson Lopes
Eduardo Mauricio Gobi
Elaine Graziela Pagotto Oliveira
Elen Ramos Pires
Eliana Cristina de Castro Mattos Wagner
Eliseu Silva Nascimento
Ellen Roberta Hummel
Erica Masson
Erica Pedro Correa
Everton Rodrigues da Silva
Fabio Antonio Xavier da Silva
Fanny de Souza Lima
Felipe de Campos Brisola
Fernanda Mendes Vieira Fernandes
Fernando Henrique de Almeida Andrade
Fulvio Ferrari
Geneses da Silva Oliveira
Gerson Brandino
Giancarlo Santos de Medeiros
Guilherme Sparrapan Muniz Lopes
Gustavo Mazon Finessi
Heverton Luiz Correa da Silveira
Hiclei Bolina Gobatti
Hudson Nogueira da Silva
Iara Lagos Ungarelli
Indridi Nata Elias Rosa
Iris de Castro Goulart
Isabel Cristina de Campos Ferreira
Izaias Batista de Oliveira
Jaime Pinheiro
Jairo Ladeia da Silva
Janaina Valeria de Almeida
Jaqueline Volpi
Javier Calvino Cesares
Jeferson Henrique de Oliveira
Jessica Luane de Paula Barbosa
Joao Armando Fabbro
Joao Jose Xavier da Silva
Joel Bernardes Pereira
Jose Augusto Ducatti
Jose Carlos Rodrigues Netto
Jose dos Santos Colares da Silva
Jose Geraldo Finatti Parduci
Jose Roque Cortese
Josiane Diogo Goncalves
Josival Aparecido Paes
Juan Marino Carnero Alves Elias
Jucilene Buosi Fechus Borges
Juliana dos Santos Oliveira
Juliano Brito Kerber
Juliano Marques Barreto
Karin Schincariol Vercellino
Karla Cremonez Gambarotto Vieira
Leandro Borges Viginotti
Leonardo Ferrarini
Leonardo Gomes de Faria
Leticia Maia Durante
Ligia Nassif Conti
Lindemberg Cavalcante da Silva
Lucia Elisabeth Pavanelli Galvao
Lucia Helena Fernandes Bismara de Melo
Luciane Moura de Barros
Luciano Silveira Pereira
Luciano Vaz Vieira
Luis Marcos Caldana
Luiz Akira Miyashiro
Luiz Gustavo Bimbatti Assumpção
Luiz Rafael Moretto Giorgetti
Maikel Antonio Morelli
Marcelo Aparecido Afonso
Marcelo Benedito Costa Franco da Silva
Marcelo Candido Goncalves
Marcelo de Jesus da Silva
Marcelo Silva
Marcia Patricia da Silva Boroto
Marcia Regina Licatti
Marcio Pinheiro Maia
Marco Antonio de Almeida Junior
Marcos Antonio Pacheco Novaes Junior
Marcos Juvenal Ferreira
Marcos Leandro do Nascimento
Marcos Roberto Baldini
Marcos Roberto Pedroso
Marcus Vinicius Sant Anna Held Neves
Maria da Gloria Bertrami
Maria Eugenia Sacco
Mariana Virgilli
Max Eduardo Ferreira
Milena Leme Lopes Sparrapan
Miriam Braga Guimaraes Heimann Pais
Miriam Goncalves Diniz Ferreira
Mirtes Emilia Lomba Paes
Moacir Jose Dondelli Paulillo
Moises Lauton de Azevedo
Nelson de Faria Neto
Otavio Afonso Quartier Costa
Patricia Vieira de Moraes
Paulo Afonso Estanislau
Paulo Cesar Signori
Pedro Aurelio Persone
Rafael da Silva Pelaes
Rafael Felix Migliani
Rafael Pires da Silva
Raymundo Francani Junior
Rener Oliveira de Jesus
Ricardo Aurelio de Oliveira
Ricardo de Souza Francisco
Ricardo Donizeti Grion
Roberto Sussumo Anzai
Robson Rogerio de Moraes
Rodrigo Braz dos Santos
Rodrigo Campos Moura
Rodrigo de Aragao Gianessi
Rodrigo Marinonio
Sandro Pires da Silva
Selma Cristina Martines Marino
Silvia Salles Leite Lombardi
Sueli Poppi
Tadeu Renato Botton Ribeiro
Tania Regina Tonus
Thadeu Romano de Almeida
Thiago de Castro Leite
Tiago Jose Machado de Almeida
Tulio Padilha Pires
Valeria Rocha Cirilo
Valquiria de Campos da Porciuncula
Vlamir Devanei Ramos
Wesley Rodrigo de Paris Medeiros
Willian Cunha da Silva
Ana Lucia Leite
Ana Maria de Souza
Ana Maria Teixeira de Almeida
Anderson Bruno Pereira
Andre da Silva Batiston
Angela Delgado Duarte Ligocki
Angela Tereza Muner
Anselmo Pereira da Silva
Antonio Jose Grisolia Bortoloto
Aparecido Sergio Burgo Frigerio
Beatriz Goes do Espirito Santo
Benedicto Bueno Gurgel Junior
Benedito Alberto de Paula
Carlos Cassius de Biasi
Carlos Roberto Moraes
Cecilia Ferreira Bortoli
Celso Veagnoli
Claudio Manoel de Oliveira
Claudio Sampaio
Cristiane Cibeli de Almeida Bloes Silva
ㅤ
Costumes and Wardrobe
Cristian Lourenco Correia Da Silva
ㅤ
Infrastructure and Maintenance
Jailton Pereira da Cruz – Supervisor
Diclei Goncalves
Esdras da Silva Telles
Joao Domingos Pereira Rodrigues
Luciano Cesar Caresia
Marcos Antonio Silva Viana
Samuel Victor Camargo da Cruz
Valdevino Vitor de Oliveira
ㅤ
School Inspection
Alexandra Aparecida Caresia de Sousa
Amanda Teodoro
Anderson da Silva Cavalcanti Santana
Ariane Even de Souza Santos
Daisy Rosa de Oliveira Ribeiro
Flavia Aparecida Silva
Jaqueline de Souza Rodrigues
Matheus Telles Ramos
Suzana Dias Mantovani
Yasmin Rafaelly Antunes Fernandes
ㅤ
Legal and Contract Analysis
Jacira Ferreira Branco
ㅤ
Assembly
Guilherme de Miranda Ribeiro
Rafael Mascarenhas de Moraes
Reginaldo Prestes
Vilmar Pereira Ribas
ㅤ
Heritage and Logistics
Cleber Luis Dias
Mateus Wilian Borges Vieira
Miuca Miranda Vieira
ㅤ
São José do Rio Pardo Branch
Mirella Marques Fuentes Teixeira – Administrative Coordinator
Ariana Vazquez Y Fidelis Presti
Bruno Rodrigo Brizoti Mendonca
ㅤ
Reception
Alessandro Noel Galvao
Emerson Soares Oliveira
Ernandes Rogerio dos Santos
Jeremias Alves de Oliveira
Jose Victor Rodrigues
Juliano de Barros Correa
Maria Cristina Zanetta
Paulo Henrique Lopes
Raphael Bueno Marques
Ricardo Adriano Garcia
Sirlei Aparecida de Jesus
Vilma Pamplona
Wagner Roberto Ferreira
ㅤ
Event Production
Isabel Cristina Medeiros Avila – Supervisor
Renata Brugnerotto – Interim Supervisor
Alice de Fatima Martins
Debora Donizeti Chaves
Eduardo Cruz Leal
Gisele de Fatima Camargo
Marcelo Vieira de Souza
Roberto Felipe Franco de Oliveira
Samuel Bruno de Morais
Sergio Ferreira de Souza Filho
Weslei Salomão Soares
ㅤ
Human Resources
Aline Queiroz Venancio Fortes
Alessandra Rosa Glaser
Ariane Cazzolato Dotta
Wilson Santos Firmino
ㅤ
School Secretariat
Ariane Ramos Almeida – Manager
Cristine Rodrigues Da Costa
Danilo Pinto Correa Silveira
Eni Lemos da Conceição
Vanessa de Souza Penatte
ㅤ
General Services
Aline Pamplona Campos Santos
Carla Andrea Oliveira Leme
Daniel Correa Silveira Junior
Diva Sarubo Bueno de Paula
Evelin Giselda Vieira Vaz
Gislene Santos do Carmo
Hellen Karoline Alvarenga de Almeida
Lenice Lopes da Silva Souza
Lucas Xavier da Silva Godoi
Luiz Fernando dos Santos
Maria da Conceicao Lopes da Silva
Maria José Gomes da Silva
Maria Lucia de Moura Oliveira
Marlise da Silva Telles
ㅤ
Information Technology
Rodrigo Junqueira
Deivis Wesley Furtado
Welinson Mendes de Brito
Updated on 08/16/2024.
Study with Us
To study with us, access the content through the link. This content is only available in Portuguese.
Frequently Asked Questions
What courses are offered by the Conservatory of Tatuí?
The Conservatory of Tatuí offers approximately 100 specializations distributed across various areas of study.
In Tatuí, we have:
- Classical Music/Instruments: Accordion, Clarinet, Euphonium, Bassoon, Flute, Harp, Oboe, Symphonic Percussion, Classical Piano, Saxophone, Trombone/Bass Trombone, French Horn, Trumpet, Tuba, Viola, Classical Guitar, Violin, and Cello.
- Classical Music/Historical Performance: Historical Plucked Strings (lute, baroque guitar, and theorbo), Harpsichord, Recorder, Fortepiano, Viola da Gamba, Baroque Violin, Baroque Cello, Baroque Viola da Braccio.
- Classical Music/Others: Lyric Singing, Luthiery (handcrafting of string instruments), Children’s Music Education, Music Education for Educators, Braille Music Notation, Conducting.
- MPB/Jazz: Accordion, Acoustic Bass, Electric Bass, Drums, Popular Singing, Clarinet, Flute, Guitar, Percussion, Piano, Saxophone, Trombone, Trumpet, Viola Caipira, Guitar.
- Choro: Mandolin, Cavaquinho, Flute, Percussion, Guitar.
- Performing Arts: Youth Theater, Adult Theater, Scenography.
- Specialization Courses: Performing Arts – Body Awareness and Expression, Performing Arts – Directed Improvement, Lyric Singing – Songs, Lyric Singing – Opera, Lyric Singing – Musicals (NEW), Strings – Soloists, Piano – Recitalists, Piano – Soloists, Piano – Chamber Musicians, Harp – Symphonic Repertoire, Symphonic Percussion – Chamber Musicians, Classical Guitar – Recitalists, Historical Performance – Italian Baroque Music, Historical Performance – French Baroque Music, Historical Performance – Renaissance Music, Historical Performance – Late Baroque and Pre-Classical, Historical Performance – 18th Century Italian Music, Brass – Repertoire, Brass – Symphonic Excerpts, Woodwinds – Soloists, Woodwinds – Chamber Musicians, Woodwinds – Symphonic Excerpts, Band Conducting – 20th and 21st Century Repertoire.
- Free Courses: Children’s Theater, Theatrical Direction, Theatrical Makeup, Theatrical Lighting, Sound in Scene (theatrical sound design).
At the São José do Rio Pardo Branch, we have:
- Classical Music: Lyric Singing, Clarinet, Double Bass, Euphonium, Flute, Symphonic Percussion, Classical Piano, Saxophone, Trombone, French Horn, Trumpet, Tuba, Viola, Classical Guitar, Violin, Cello.
- Specialization: Symphonic Strings – Chamber Musicians, Piano – Chamber Musicians, Brass – Chamber Musicians, Woodwinds – Chamber Musicians, Lyric Singing – Songs.
What is the minimum age to study at the Conservatory of Tatuí?
The Conservatory of Tatuí offers courses for different age groups, with options for children starting from 4 years old (Children’s Music Education). The minimum age requirement varies according to the complexity of each course, and whenever new vacancies arise, we publish regulations on the website (https://conservatorio.vseis.com.br/vagas) that specify the minimum age required for each specialization.
Are the courses paid?
No. The Conservatory of Tatuí is an institution maintained by the Secretariat of Culture and Creative Economy of the Government of the State of São Paulo, meaning it is a state school. All courses are offered free of charge. Students only pay a registration fee (R$ 100.00), but there are no monthly fees.
How do I study at the Conservatory of Tatuí?
The vacancies are limited, and the courses are highly competitive. Therefore, it is necessary to participate in a Selection Process, which includes tests and/or interviews. Whenever new vacancies arise, the institution opens registrations for selection and publishes regulations with all the guidelines about the process on the website (https://conservatorio.vseis.com.br/vagas). You must read the regulations carefully and, if you agree, proceed with the registration. Then, it is necessary to follow the announcements on the website (https://conservatorio.vseis.com.br/novos-alunos) regarding assessment dates, process results, registration dates, subject scheduling, and the start of classes.
Where is the Conservatory of Tatuí located?
The Conservatory of Tatuí is headquartered in the municipality of Tatuí, in the interior of the State of São Paulo, a city located 130 km from the capital of São Paulo. It also maintains a branch in the city of São José do Rio Pardo, located 257 km from the capital of São Paulo. Learn more:
https://conservatorio.vseis.com.br/setores/
https://conservatorio.vseis.com.br/a-unidade/
What groups are maintained by the Conservatory of Tatuí?
The Conservatory of Tatuí maintains more than 30 musical and theatrical groups, divided into Pedagogical Groups and Artistic Groups. The groups have varied formations and provide students with different opportunities to practice what they learn in the classroom. Learn more at:
https://conservatorio.vseis.com.br/grupos-pedagogicos/
https://conservatorio.vseis.com.br/grupos-pedagogicos-artisticos/
How can I follow the cultural programming of the Conservatory of Tatuí?
The Cultural Programming of the Conservatory of Tatuí is available on the website (https://conservatorio.vseis.com.br/programacao) and is regularly updated. You can also follow our actions on social media:
Facebook: conservatoriotatui
Instagram: conservatoriodetatui
Twitter: musicatatui
Where are the events of the Conservatory of Tatuí held?
The Conservatory of Tatuí conducts its artistic and pedagogical activities in different spaces, especially at:
- Procópio Ferreira Theater (Rua São Bento, 415, Centro, Tatuí-SP)
- Mário Covas Foyer (Rua São Bento, 415, Centro, Tatuí-SP)
- Villa-Lobos Hall (Rua São Bento, 415, Centro, Tatuí-SP)
- Auditorium of Unit 2 (Rua São Bento, 808, Centro, Tatuí-SP)
It also holds external presentations in partnership with the Municipal Government (Paulo Setúbal Historical Museum, CEU das Artes Square, Matriz Square, Santa Square, Acoustic Shell, Municipal Schools, etc.) and in partnership with other institutions (Fatec, churches, schools, companies, etc.).
How much does a ticket cost to see the performances?
All performances produced by the Conservatory of Tatuí are free of charge.
Have more questions?
Contact us:
https://www.conservatoriodetatui.org.br/contato/fale-conosco/
Conservatory of Tatuí
Rua São Bento, 415, Centro, Tatuí-SP
Phone: (15) 3205–8444
Contact Us
Would you like to clarify doubts, send suggestions, or get more information about the activities developed by the Conservatory of Tatuí? Please fill out the form below. Your message will be forwarded to the responsible department and will be answered shortly.
ㅤ
IMPORTANT: Make sure to provide your email correctly, as we will respond via email. 😉
Thank you!